Collecting Antique Jewelry



Collecting antique jewelry can be very fun and very expensive at the same time. The key to collecting antique jewelry is to know where to look. Just being slightly informed can not only save you money but time as well.

eBay is a great place to start. You can find not only antique jewelry there but just about anything you could ever want. In the case of antique jewelry the seller has usually done his homework on researching the item and will know what its worth. You will definitely want to buy wholesale.

Another good idea is to check out you local newspaper. Many times people holding estate sales and garage sales will have antique jewelry for sale and they have no idea what it's worth. You can find some great buys.

Always remember that you aren't always going to come out on top. Once in a while however you will get lucky and hit the jackpot. Even in times that you don't you will still be able to enjoy what you have purchased.

Hidden treasures are right around the corner and you never know when you are going to stumble across one. Weekend garage sales and estate sales can very easily become part of your plans and become very addictive. You never know what could be waiting for you.

In the end estate sales will have the best finds. For the most part people who have estate sales are just looking to get rid of stuff and haven't done any real research as to the value of their items they are selling. Yard sales and garage sales do have good finds but the chances of finding something great are better at the estate sales.

Always check eBay. It can't hurt to keep an eye on what's out there. You never know what you will be able to find tucked away.

Another great tip s to always check the feedback section of sellers on eBay should you choose to buy there. For expensive items use the escrow service and keep in touch with the seller as well.

Collecting Antique Wine Glasses



There is nothing quite like sipping a fine wine from an antique wine glass, it somehow manages to make the wine taste even better. The best antique wine glasses can sell for many thousand pounds and are therefore out of reach for most collectors. If you have antique wine glasses that have been handed down to you through the generations you could be sitting on a small fortune. There are a huge number of designs of antique wine glasses and it is impossible to list them all, but here are some examples

Early glasses

Glass has been used as the material for drinking vessels since ancient Roman times, if not earlier. Glass is easily cleaned, reusable and hygienic and has never gone out of fashion. Throughout the Middle Ages glass designs became more varied, particularly decorative ones made in German speaking areas.

As with most antiques, the rule is the earlier the date of manufacture the more expensive it becomes. At the top end of the market you will find the beautifully crafted 16th and 17th century Venetian goblets, decorated with filigrana bowls. The goblet was no ordinary domestic or tavern drinking vessel, it was often larger than normal drinking glasses and sometimes with a silver or silver-gilt cover. Goblets were given as presents and occasionally engraved to mark a particular event. They are, therefore, highly sought after today and prices are high.

Balusters

Very few drinking glasses were made in England before the late 17th century. The Low Countries and Venice were the main areas of industry. However, by 1675 George Ravenscroft developed lead glass and gradually English styles appeared on the scene. The baluster design was one of the earliest examples and was popular from around 1690 to 1720. Many people consider the baluster the masterpiece of English glass making and they have become long-time favourites with collectors, due to the streamlined simplicity of design and purity of the glass.

Baluster glasses are heavy and symmetrical in form. The stems have one or more knops and the feet are either domed or conical, folded to add extra strength and stability. The designs were inspired by contemporary baroque furniture. Knops on early balusters are relatively plain, but more elaborate forms emerged during the 18th century - the 'cylinder' and 'egg' forms are considered the rarest and therefore the most valuable of these. However, genuine baluster glasses are rarely decorated. If you come across a baluster glass with engraved decoration, it is likely that it was added after the glass was initially made.

Balusters may not fetch as high a price as Venetian goblets, but they still don't come cheap - you would need to pay several thousand pounds. They attract such high prices because many heavy glasses were melted down after the 1745 Excise Tax on clear lead-crystal, so they are a rare find nowadays.

Jacobite

From the 18th century a large number of English wine glasses are made from lead glass. This is when the modern design of wine glass began to take shape - bowl, stem and foot. One of the most collectible designs are wine and ale glasses engraved with Jacobite motifs, hymns and mottoes about the Stuart descendants of King James II. Look out for engravings such as roses and butterflies - Jacobite symbols, showing that it was made for a supporter of James Stuart and his son, Charles Edward Stuart. There are also oak tree symbols, leaves, thistles, forget-me-nots and daffodils - all identified with Charles II. These glasses are sought after by collectors and usually fetch prices from £2,000 upwards.

Air-twists

With the 1745 Excise Act introducing a heavy tax on glassmakers, the weighty knop and double footed designs had to be replaced with something a little more economically sound. What emerged was the air-twist stem - wine glasses were much lighter but still highly decorative. Air-twists often feature diamond-point or wheel engravings of armorials, political mottoes and commemorative themes on the bowl.

The most popular type of air-twist was the multiple spiral, made from up to 12 even filaments. Those stems made with single spirals are known as single-series air-twists and not surprisingly those with two different patterns of spiral are referred to as double-series air-twists. Glasses such as these would have been made for the wealthy, who would have put them to use on a daily basis. They would cost several hundred pounds today.

Opaque-twists

The popularity of air-twists declined during the mid 18th century when the opaque-twist (or enamel twist) was introduced. Opaque-twists can be easily identified by the presence of solid spirals of enamel - generally in the same formations as the air-twists. At first opaque-twists were entirely white, but after 1765 they were available in various colours, including a mixture of white and coloured, white and air-twist, or occasionally coloured and air-twist. Different colours of glass have varying cooling rates, which makes some coloured rods more fragile. Yellow and blue twists, for example, are much rarer and sought after by collectors than red and green. Whereas a simple opaque-twist stem wine glass can be purchased for a relatively low price, coloured stems can reach thousands.

Faceted stems

In 1777 a further government act imposed a duty on coloured enamel glass, which rendered opaque-twists too expensive to produce. Hence the arrival of the faceted stem, whereby glass was cut away in decorative patterns - the perfect solution, as it was not only attractive but also weighed less. Facet-stem glasses have three main patterns of faceting: diamond, hexagonal and flat-cut, popular from about 1780 to 1810. You will occasionally find a glass where the foot has been faceted, but very rarely the bowl. At one time the faceted designs were less popular than air and opaque-twists, but their appeal is growing with collectors and prices are on the increase.

Other coloured glass

From the 1800s English manufacturers also began to produce cased glass wares, inspired by Bohemian and French glass. Look out for these designs because cased glass in good condition is a rare find. The technique of successfully fusing glass of different colours was a difficult task because the colours cooled at different rates, hence their scarcity.

Glasses with coloured bowls and clear stems became popular during the end of the 19th century and were probably manufactured specifically for white wine, which was very popular in the Victorian era. When walking around auctions and fairs you may notice quite a large number of green and cranberry designs as these were the most popular. Other colours such as yellow, blue and amethyst are much rarer.

If you want to start collecting antique wine glasses you will be spoilt for choice and while you can pay thousands of pounds for a single glass there are many antique wine glasses that can be picked up quite cheaply

Collecting Antique Books - How to Become a Book Hound



One hobby that is rapidly growing in popularity is that of antique book collecting. Because there are still so many rare antique books around in places like small town auctions and garage sales, there is a chance to collect classic works cheap and possibly make some good money on the side selling these rare first editions to serious collectors and rare book bookstores.

If you're interested in collecting antique books and joining the legions of book hounds out there, one of the first things you will need to learn is the difference between old books and antique books.

Not every old book is going to be worth something. There are many books from around 1900 that aren't worth anything, even if they are uncommon, because they were just pulp fiction back then, and so not worth anything now, either.

On the other hand, there are paperbacks from the 1960s an 1970s that are worth a couple hundred bucks each (see Richard Bachman, or one of Dean Koontz's dozen pennames). This is usually because of a famous author writing these books under pennames, then becoming famous later on in the career.

When collecting books, the popularity of the author or the book does make a difference in how much it is worth. This is in addition to how many copies of a book are estimated to be left. There are hundreds of thousands of copies of Sinclair Lewis's and John Steinbeck's later novels, but they are classic authors and so first editions in great condition are still worth decent money.

Many great collectible books, especially the most valuable, are first editions of books by famous authors that were written before the author became famous. This is why books like "Travels with Charley" by John Steinbeck, "It Can't Happen Here" by Sinclair Lewis, and "The Old Man and the Sea" by Ernest Hemingway are great first edition books, but worth far less than nearly unheard of early books by these authors like:

1. Hike and the Aeroplane (Sinclair Lewis)
2. Cup of Gold (John Steinbeck)
3. In Our Time (Ernest Hemingway)

These latter three books are worth $12,000-$60,000 for true first editions, in strong part due to the fact that these were some of the earliest works by these authors, who were all unknown at the time, so not only are they by famous authors, but they're rare, as well.

Knowing the difference between just an old book, and a valuable rare book, is critical in becoming a good book hound.

Collecting Antique Dolls Makes a Wonderful Hobby



The great period for doll making was from 1840 through 1830.

In this era doll makers took great pride in their work and turned out dolls of great fine tuned detail, from the hand painted eyes in the smooth porcelain heads to the steel riveted leather or cloth bodies and porcelain limbs. The clothing on these antique dolls were hand made by accomplished seamstresses who took the same pride in their work as the doll makers did.

Today we can see this pride reflected in the dolls that have survived the past hundred or more years and they are truly a joy to look at. The fine porcelain heads with human hair set in the pates with the fine detailed faces reflect the countenance of the time period in which they were made. The wonder and innocence that seems to emulate from those faces can bring us back in time in our imaginations.

The wonderfully refined and cultured dress of the antique dolls that were made to represent the women of the time are exquisite. From the long underclothing to the many layers above, finished off with the high topped shoes and the sun shading hat. Armand Marseille, Heinrich Handwerck, Ernst Heubach, JD Kestner, Ernst Kammer, Franz Reinhardt, Pierre Jumeau and Leon Casimir Bru were each in the top of the top doll makers in the time period in which they lived and worked their doll magic.

Today any of their dolls are the ones collectors keep an eye open for.

Marceille, Handwerck, Heubach, Kestner, Kammer and Reinhardt were all of German descent, Jumeau and Bru of French descent.

When collecting antique dolls, everyone wishes for the best, of course, a doll with no cracks or crazing, which is a "weathering" of the doll shown by lines on the surface, and certainly no missing limbs. However, even those dolls are worthy of having in your collection. They show a loved and well played with history and are valuable just as they are, not all cleaned up and repainted and redressed and given new wigs.

More often than not, a " redoing " will diminish the value of a collectible doll.

If you are a doll lover of any kind, beware. Once you begin to really look at these old antique dolls, you will be smitten. They are hard to resist, but.. know that any one of them that makes its way into your home and your heart will never let you down. Their value can only go up as time goes by... and there will always be doll lovers around.

How to Collect Antique Radios That Bring Back All Those Special Memories



Collecting antique radios has become increasingly popular among people all over the world in the past 30 years. The culture behind each antique radio is unique and tells a story about how life was lived during the late 1800's and the first half of the 1900's. It was such an unusual time in American history to look at. It gives us a reference point to all the advances in technology made today. It gives us a vantage point from how far we have come over the past century.

Each antique collector has their own reason for collecting old radios, though most will tell you that they simply have a passion or a special affinity for vintage radios. Why do they have this passion in collecting radios? There are a number of factors in how this love was developed. Some people were moved by the sound quality that these old radios cranked out. The special sound generated from these radios continue to bring back memories of growing up in that era. It was the age of "Big Bands" and famous old radio shows that played nightly. Remember, their was no television for most of this era. Families huddled around the radio in the evening to listen to their special radio show or music. Most people reported a wave of memories that flood their mind when they hear the old songs on an old radio or phonograph. You can always tell how much they love collecting when you hear the excitement in their voice and their animated, excitement when they talk about these old radios.

Others simply have a love for history, in how radio and television came into being. It is fascinating to go back and look at the basic concepts of radio and television creation. Or to study such a man as Thomas Edison, who said after his 10,000th failure to create the light bulb that he didn't see them as failures. It was simply finding 10,000 ways that did not work. The geniuses of that era will never be forgotten. It is upon their achievement and inventive minds that formed a solid foundation for the inventions of today.

Edison changed the world with the invention of the radio, phonograph and light bulb. He never gave up on any of his inventions. His tenacity was amazing! Did you ever wonder what it would be like if Edison had given up on his inventions? We would not have the radio for one. Or the light bulb to light our homes, streets and businesses? We have much to be thankful for to these valiant men that forged the future American life today.

If you want to start collecting antique radios, a great place to start would be antique exhibitions. You will be able to find and meet other collectors that share the same interest as yours. Another is estate auctions of the elderly who have passed on. You are likely to find some really great deals on quality antique radios. Another place to look is on the internet. You can type in any model or name into a "Google search" and find thousands of old radios of every make and model. Try youtube.com as well. There are 100s of videos made on all kinds of vintage radios. Good luck on your journey into this amazing hobby.

Collecting Antique Quilts - History, Heirlooms, and High Art



From the earliest days of the American colonies, quilts were an important part of everyday life. They kept the family warm, sometimes covered the dinner table, and occasionally flew high as banners. Now those same functional and beautiful antique quilts are highly prized by modern collectors.

The Most Common Antique Quilts

Among the countless quilts tucked away in chests, antique stores, and museums, there are a few particular types that are most common. The "Appliqué" quilt, most popular between 1775 and 1885, consisted of pieces of fabric design that were quilted onto a large, solid color-block. The "Trapunto" quilt was a popular kind of appliqué quilt in which the designs were stuffed with cotton to create a raised look and feel.

"Album" quilts were made up of small sections, each section sewn by someone different, and then put together to form one large quilt. "Patchwork" quilts were made of a distinct pattern, whether a square, a rectangle, or some other configuration. Though patchwork quilts were most common from 1775 to 1875, they have been embraced by quilters of all time periods.

"Crazy" quilts, popular from 1870 to 1890 (and well into the 1930's and '40's, especially in rural areas of Appalachia and the South), were made with anything a quilter could find that looked appropriate in their work, including bits of worn family clothing. They seemed to have no rhyme or reason, other than in the mind of the person who created them. In part because of this, Crazy quilts are often believed to have been created more of necessity and household utility rather than a particular sense of design or pattern. Because of their personal nature, Crazy quilts often have great sentimental value.

From Household Chore to Works of Art

As the American cotton industry began to evolve in the early 1800s, so did the creation of quilts. Before the time of the sewing machine, quilts were stitched by hand. Quilts created from 1800 to 1825 often show impressive levels of craftsmanship, with tiny stitches that were meant to last through years of use. By 1850, practically every household in the United States had a quilter in their midst, and the needlework skill varied from the neat, distinct, and careful hand-stitching of experienced quilters to the uneven and less-attractive stitches of untutored amateurs.

In the years after the Civil War, the industrial revolution found a foothold, popularizing mechanized tools, and helping the sewing machine to become a household staple. Gradually, the fine stitching of quilts became a much rarer craft, in favor of pieces that could be created faster, with less attention to detail. Quilts wouldn't be considered functional pieces of art until the late 20th century, when quilting saw an intense revival that continues to this day.

Family and Community Heirlooms

Some of the world's most beautiful quilts never find their way to a museum wall or even to an appraiser. They reside on the beds of family members who can tell you which ancestor stitched them together, when they did it, and why. These are the family heirlooms, often quilts made for a specific person, possibly given as gifts, and then passed down through generations.

As keepers of history, quilts are a story-telling medium. They were often created to honor someone's place in a community, to celebrate a wedding or a new home, and to mark special days. Quilts were also used to make political or social statements. One of the best modern examples can be found in the AIDS Quilt, a project founded in 1987 that brings together the families of those who have passed away from the complications of AIDS.

What is Valuable...and How to Tell

When you are seeking the perfect antique quilt, knowledge of quilting techniques and materials is the key to getting the genuine article. Reproductions can sometimes be convincing enough to fool seasoned experts! To be certain you are getting a true antique quilt, keep the following points in mind.
What type of batting was used? The polyester batting familiar to modern quilters is a relatively new development; polyester wasn't popular until the 1960s. Antique quilts will usually contain wool or cotton, and they will sometimes have silk batting. Another common practice was to use old, ragged quilts as batting in new ones.
Consider the thread. Before thread was cheap and readily available, many women used the heavy cotton threads from feed sacks to sew their quilts together. On an appliqué quilt, is white thread used throughout? Matching threads in appliqué quilts is more of a modern standard.
Look carefully at the stitching. The stitches should be small, evenly spaced, and very regular throughout the quilt. Most true antique quilts were made to be beautiful as well as functional, and the tight stitching insured that the quilt would not fall apart after years of use.
Examine the condition of the cloth. The fabric of an old quilt will likely be very soft and possibly worn thin in places. Newer quilts might look pristine for decades, but true antique quilts were probably well-loved and used regularly.
Consider the size of the bed. Bed configurations have changed over the years. A quilt large enough for a modern king bed, for instance, was not the aim of a quilter in the early 1800s.
What dyes were used? Dyes in the early 19th century were made by boiling plants on the stove, usually in iron pots, in order to extract their color. Most of these colors were rather drab, and consisted of earthy colors, such as slate or light greens. Aniline dyes were popular around the time of the Civil War, and started out quite vivid, but faded over time.

So whether you collect antique quilts with an eye for design, an interest in the heritage they represent, or simply as a means of investment, it is very important to choose an antique dealer who has a good reputation. Serious antique dealers will go the extra mile to secure the provenance, or the known history of the quilt, so far as they can trace it. And a reputable dealer can be the difference between a wall full of treasures and a chest full of reproductions.